Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie historians

historians

dans les intérieurs modernes

It is this shift that I call The Abolition of Art (

originally located on the left bank

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie historiansFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first