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she remained connected to the Swiss art scene but maintained contacts with international artists of geometric abstraction
printed and published between 1880 and 1907
369) taken from the series composed of 27 plates of Tableaux vivants
to which he dedicated over three hundred lithographs
MIRÓ JOAN, Mangeur de soleil, 1955 sculture she remained connected to thePerfetto esemplare, affiche realizzata per lesposizione del Maestro alla Galleria Maeght. Impresso da Adrien Maeght, Parigi. Conservazione perfetta, con margini editoriali. Edizione avant la lettre. Bibliografia Maeght, Arte Affiches 1964 1971, 1972 1977, Mourlot 150.
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