Matisse: Cahiers d'art, le tournant des années 1930. Arts décoratifs – Arts appliqués Both are open to the

Both are open to the surprises of unexpected correspondences

specific questions but has also brought to light points of convergence

In the 2nd and 3rd centuries AD

Eugène: An adoption by mancipation under the reign of Amasis: and the various forms of mancipations relating to human beings 193-196 Bibliography Abbildungen

Matisse: Cahiers d'art, le tournant des années 1930. Arts décoratifs – Arts appliqués Both are open to theThe 1930s marked a turning point in Henri Matisse's work. Despite his success, he grew tired of Nice interiors and languid nudes. With age and fame came rethinking: he needed something new, both in his themes and his painting techniques. Changing scale, he tackled The Dance, a vast mural composition intended for the Barnes Foundation in Merion, and thus made a fresh start, on the threshold of his sixtieth year. Matisse's artistic activity was then