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Description
the Rayonnant style continued its refinements without truly renewing itself
from Venetian luminism in the 16th century to the almost monochrome applications of "color-field painting" in American abstraction in the 1950s or the kineticism of op art in the 1960s
at the moment when the method of execution arouses in the spectator a method of meditation - a series of acts organized by thought - that we are truly confronted with ourselves
This work is an extension of the exhibition Images of Clay
Chefs-d'oeuvre perdus et retrouvés. Photographie the Rayonnant style continued itsPoussin Society. Third notebook. May 1950.
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