It's Funny How I Met This Horse - Kateryna Lymar set margins This issue takes a broader

This issue takes a broader perspective

The pages also portray human vulnerability: houses destroyed by natural disasters

utopies communistes

Suzuki Yoshihiro started a new life as a company worker by treating himself to a Minolta SRI single-lens reflex camera

It's Funny How I Met This Horse - Kateryna Lymar set margins This issue takes a broaderIts Funny How I Met This Horse contains photographs taken by Kateryna Lymar from the imaginative point of view of a newly hatched insect, just emerging from the ground and taking its first walk. The work explores perception at its most fragile and imaginative state. Underexposure, overexposure, blur, and extreme close ups test the limits of the camera uncovering a newly found intimacy with the natural world. Guided by a pair of eyes emerging from the