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showcasing it as a space of exchange
built with a loose and vibrant brushstroke that became his unmistakable signature
from the galleries of New York to those of Tokyo
in order to achieve a state of enlightenment
FONTANA LUCIO, Concetto spaziale Rosso, 1965 sculture showcasing it as a spacePerfect impression in the second edition printed for the gallery il Quadro di Biella and published by Silvio Zamorani, Turin in 1982. First edition Prent, Utrecht, 1965. Perfect preservation, with untrimmed margins. Bibliography Lucio Fontana: engravings, graphics, multiples, publications, edited by Camillo Rigo and Harry Ruh, Ed. Reverdito, Trento, 2007, p. 124 ref. S 7.
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