Médusa. Islam 3200 BC) and the beginning

3200 BC) and the beginning of the Second Dynasty (c

setting each object in its historical context both in terms of the artist's oeuvre and of the portraiture of the known sitters

Bibliothèque d'étude copte XVI

and more broadly the "ambiguities of Naturalism" between academicism and modernity

Médusa. Islam 3200 BC) and the beginningThe dead man's gaze passes and does not linger. It does not touch, it does not caress, it becomes an element of nature, a black pearl in the jungle, a friend of banana leaves and hummingbirds sparkling in the buzzing of their agitated wings. The gaze enjoys. It gives birth, it moistens. An encounter without witnesses in the heart of solitude. Marine horns, cromornes, sonorous and black serpents. Antoni Casas Ros excited the journalistic sphere for